According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.
新版动画电影都挺挺一般的，只剩下儿时情结支撑着。
饶舌要素过多大概就是亚当斯2低分的原因吧…受不了…一手好牌“Wednesday可能不是亲生的”打得稀巴烂 硬生生变成了歌剧片 亚当斯最看重的就是家人 这次却给Wednesday编人设嫌弃家人…也拒绝拥抱 前一部和真人版是“她不喜欢拥抱 但会和家人拥抱”
画风好奇怪啊，又丑又恐怖，故事也完全看不下去，只觉得好吵
原来有前作啊，怪不得这么有意思的设定配这么水的剧情。。唯一可看的就是歌还不错
一家人环美旅游的公路桥段还是挺暖的，有时亲情甚至高于血缘……
一段始于被固板印象束缚住意义的单向旅途，被对于回归家庭的美式主流价值观的怀疑所撼动而终结在了彼岸。一个非教徒找到了属于他的伊甸园，并依旧能保有区隔善恶是非的世俗观念去继续赋予行动的外在意义。这已经不再是观点输出为先的政治宣言或檄文，而仅仅是带有不同于宗教式自赎意味的反思性自传体短片合集了。很满足，但能很清楚的知道这是脱离于电影本体魅力的淡然处世态度之满足。
PS 想念大峡谷和三藩红桥
全片唯一的动作戏是由一只鸡完成的。硬汉真的也老了，说台词都怕他一口气没续上。
智障老舅有点东西啊哈哈哈哈 还有那个 do you have a piano in the laboratory? 严谨极了
好爱Wednesday啊，喜欢她的台词
这部影片的存在侮辱了亚当斯。DISGUSTING.
合家欢电影，人物刻画更多的吃设定。没看过前作的话不太友好，会一头雾水。不过，作为轻松愉快的电影观看体验还算及格。
看得开心不就行了，所有celebrate weirdness的电影都加一星！
这烂片给一星我都嫌多，东木这是自拍自导上瘾，但是这是辣观众的眼睛啊，毫无意义的电影
按照海报上的话来说，能见到这部电影的续集真是倒了八辈子血霉。
情怀分都不给！统统丢掉！（后半段看得我真的有些不适…
非常混乱的一部，但是百分百Wednesday就很吸引人了！
忠诚的管家、智慧的星期三、有点可爱又有点笨的叔叔和弟弟、有爱的爸爸妈妈、战斗力非常差的反派。感觉比第一部更精彩啦，希望还能有3。
喜欢亚当斯全家，愿在黑暗里真实，不在光明中虚伪，
在哀叹东木老爷子老去的同时，更惊叹他一生对于电影的这腔热忱。说实话，这部影片只有两星水准，但面对已经过了耄耋之年的老爷子，内心真想给他打出五星。不管怎样，仍然不希望本片是东木的息影之作。
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