With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
让人心旷神怡可以静下心的电影，趁此机会也好好想一下我自己的追求
偶然看到这部支教题材的电影。摄影很不错，比起前些年看过的几部，完美呈现了藏区如画的风景。几个典型人物的塑造让这所偏远的小学在氛围上像是个乌托邦，艰苦的条件让有的人避之不及，也让有的人流连忘返。真实而梦幻，整体还不错。
开头的时候，朗措大哥去接韩松这位支教老师到学校，一路上内心没有想到条件如此辛苦，但是等见到孩子们的那一刻，他们对知识的渴望，看着看着眼泪就掉下来了。
其实有时候仅仅是这样一个平凡的人，他的举动，她的选择却改变了许许多多的人，这样平凡的人，最后已经不平凡了吧
没想到看到最后潸然泪下而不自觉。韩松最初支教是因为青春的躁动，最后一步一步改变着西藏的教育，为这些孩子的未来铺垫
真希望好人可以长命百岁有好报唉，韩松是，大哥是，僧格也是，怎么都这么难，我入戏了所以很难过
藏区的美景真的很壮观，电影里把这种美都拍下来了，我也更想亲眼去看看藏区风景了！
围绕着爱，承诺，坚守，留下的一部电影，情感不错，但是现在多少人能做到
一部能让人静下来的影片。淳朴的人们，美丽的藏区大草原。影片前半部分，导演试图用稍微轻松一点的氛围讲述支教这个稍显沉重的故事，但还是逃不出悲情结尾，支教老师的一生都奉献在了这里。他的奉献精神感染着这里的人们，同时这里的淳朴民风也感染着他。一部走温情路线的片子。
很棒的电影，很平凡但又很伟大，让人很感动！
韩松母亲一定很早前就生病了，只是为了不让韩松担心才没有告诉他，母爱真的好伟大。
总觉得这个男主角有点眼熟，剧情还是很不错的，不过感觉男主角的演技有待提升啊
而老师虽然开头自述援藏是为了走一条捷径，但是提前主动询问学生情况，第一次见面就可以喊出每个学生的名字。也在与孩子日常的相处中感受到一种责任，爱上这群孩子，爱上这个家庭，爱上草原。于是自愿拿出工资给孩子加菜，母亲离世后毅然回到学校，与喜欢的姑娘终老在青青草原。
人生在世事事不如意，但是不被打倒的，那就是英雄，男主是英雄
虽然没有惊心动魄的情节，但是胜在真实，任何环境之下只要有坚定善良的心，都可以做出一番事业
韩老师在支教三年的过程中遇到了所在藏区小学那难以想象的艰苦贫瘠，和那些学生们难能可贵的对学习知识的渴望。在藏区孩子们的眼里，老师就是他们学习知识，改变命运的希望，因此孩子们发自内心对韩老师充满尊敬和爱恋。最终韩松在朗措兄妹的关爱和孩子们的期盼中，没有离开藏区小学，而是选择了永远留在美丽草原上藏区小学任教。
景色挺好的，传达的东西也比较正能量，但是还是采取太多老套路了，没什么新意。
不知道支教需要满足啥样的条件，有啥样的渠道可以支教，这看完有点心塞，看其它影片支教环境更恶劣，支教之路很难，但是有机会想去尝试，能帮多少帮多少
感觉男主角一点都没有不适应那里的气候正常，不应该会有高原反应之类的吗？
藏草青青
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