Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
很难不怀疑是汤老湿看了天生杀人狂之后像毒液一样奋笔疾书的恶搞之作，夫夫吵架斗嘴动手又差点伤及无辜，秀恩爱秀得天旋地转，看完哈欠连天
this movie is like an epic mashup of clichés
1.女主代表美利坚的年轻人为在爱情里拖拖拉拉、犹豫不决的家伙们做了一个完美的榜样与表率。2.作为现代人，对待爱情与生活态度就是应该「洒脱不矫情」。3.自以为是、自作主张、自说自话、自我感动，死要面子又满嘴谎言，这是男人们的通病。4.不顾对方的感受去做一些莫名其妙的所谓「浪漫行为」（包括但不限于在分手的前一天带你走遍每一个「第一次」：第一次吵架的冰球场，第一次表白的淡水湖，第一个情人节的披萨屋等等），这就是典型的「自己感动自己」。5.结局有减分（分了就分了，强行安排的「再次见面」真没必要）。6.舔狗舔狗，一无所有。7.这女主的侧颜，也太像艾玛沃特森了。
女主太美了，本来只值一星的片子能给二星，这个电影最大的问题是，这2个人就是在演啊我的天，，，，
不过整个基本全黑的西部牛仔片
给毒液1打了四星，不错的爱情片，汤姆哈迪和小米也很搭，怎么到这集女主变成毒液了呢，这叫什么玩意
编剧写的不好，从前边杀蝎子男和截火车到最后结束，整个一高开低走，就实打实给反派写个快枪手不行嘛，这样还能有场巅峰对决，结果给这人写的拔枪不快数数快，还阴着玩偷袭，然后结局反派还是兄弟，也没抵抗，合着全片重头戏就是女人打架和杀杂兵…
“如果一段关系还没开始
青春的故事被定义了一个欢快的结尾，虽然现实有时候是成长痛，但未来会是怎样很难能够定义，提前就定下了规则，框起来总会有些许矛盾，随心而为反而有更多可能性
你发表的关于《The Harder They Fall》的短评，因为 含有违反相关法律法规或管理规定的内容，已被移除
除了几次打架和片尾彩蛋，其他真是没眼看，什么乱七八糟的
开头还有点好笑 后面逐渐垮掉 特效停留在80年代水平
蛮无聊的一部西部黑人牛仔片，一部网飞快餐片。
撇开历史背景不谈，个人觉得是一部不错的西部片，从配乐的气氛渲染和镜头的表达都是不错的。现在喜欢看西部片的人还多吗？
明明是西部片，刻意把角色全换成黑人，实在看着有点不舒服了，难道政治正确这么重要吗？虽然这几个演技也过得去，就是感觉不舒服，剧情也确实挺老套的
女主很漂亮。就是Netflix的中等水平小清新青少年恋爱片而已。
网红款卡点，凹造型，扯猫逼神剧，豆瓣评分越来越离谱。就这破片值三星么。
说实话，拍的不赖，能看出导演是个很熟悉西部片的人，而且其中大量剪辑和镜头很有致敬昆丁的意思
把所有角色换成黑人的西部复仇片。剧情一般，但配乐是真的好听，每一首都好听。
无趣又漫长，这些黑人演员真的撑不起一部戏，西部片不是这么拍的啊
Copyright © 2015-2023 All Rights Reserved
