Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
Chavez的出现是重要的一笔 以后应该会在漫威宇宙中发挥更大的作用
2.5，多元宇宙的开启算是漫威影业的里程碑吧，但这并不是漫威最正确的一步，他们并没有完全处理好多元宇宙的异同和博弈的能力，以至于现在每部新作看起来都无趣至极，只能通过其他宇宙人物的集体降智而理顺剧情，最后就是丢了西瓜，捡了芝麻。奇异博士第一部还是爽的，第二部只能说平平无奇，全靠些惊悚恐怖的元素提升观感，Doctor Strange彻底沦为工具人，人设方面没有任何进展，Wanda在剧集里要复活丈夫，在电影里要寻找孩子，最后的情绪转变也不够充分，还要卖波劳力，美强惨本惨无疑了。
搞恐怖很有意思，毕竟太多的把戏都已经在动画等地方用过了，卷腹这张脸啊哈哈哈哈哈，眉毛也搞笑，就是主线差了点，不过超英电影别管这么多了，就当作是电影版的what if吧。
比想像中好看但真的有被嚇到而且不懂那些人物都是誰
黑化旺达大杀四方，只为做个妈。X教授和神奇四侠店戏份是想说明其正式加入妇联宇宙？但这两个工具人有点惨……最后死灵奇异博士蛮出彩的。
漫威是把co-star玩儿明白了，不能光一起干别人，还得互相干。
…镜头调度让人太失望了🥺
"I love you and I love you in every universe." damn😢
还是蛮有意思的，虽然有些地方情节稍弱。Olsen好美呀
被迫练了两个小时听力……
3.5星，看到旺达追逐戏和博士借尸还魂总有种在看僵尸片的错觉😨
幹，在电影院吓了我好几跳，漫威开始发展恐怖电影了哈哈哈
观感非常的…strange，有很多有意思的设计和点子，但是成果很别扭，感觉multiverse的概念用得不怎么行，跟读漫画里那些塞元素塞戏份的大事件观感超级像。场景总体都设计得挺好看的，艺术风格还可以。对主角的感情线完全无感，对女巫的情感感触很深，但是不喜欢对这个角色用这种方式处理。gruesome的动作场景确实是漫威以前见不到的，但没有感觉更好。把粉丝们盼了那么多年终于能聚在一起的X人、F4和异人放上银幕然后立刻全灭还挺黑色幽默的。最后的elden ring boss造型游走在酷炫和滑稽的边缘，有意思。
奇异博士以后就走搞笑路线吧。这个角色真的迷，智商忽高忽低，会各种nb法术就是不用，光就搁那甩拉面。
拍得跟恐怖cult片似的；用音符对战的那一段还挺有意思的；片名完全不提猩红女巫，但猩红女巫占了50%的片长；旺达又又又又一次被刀了。
比寡姐和蜘蛛侠好看太多，值回票价~彩蛋略搞笑了...
真名是，电影：猩红女巫丶混乱的多元宇宙，还有光照会四大酱油，爆米花🍿指数还行，剧情眼花缭乱要好好看，客串有奇异博士和灭霸，噱头多元宇宙
Marvel的浪漫从未停止😭旺达固执，疯批，但还存有良知！
"I love you in every universe."
旺达太刀了 看见她从眼眶中流下的泪水我都要哭了 她只是想获得一点幸福而已 怎么这么难呢😫 It doesn't seem fair
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